This volume comprises selected articles from Francis Poulenc: J'écris ce qui me chante (Fayard, 2011) edited by Nicholas Southon. Many of these articles and interviews have not been available in English before and Roger Nichols' translation, capturing the very essence of Poulenc's lively writing style, makes more widely accessible this significant contribution to Poulenc scholarship.
'... this charming book is fascinating, amusing, provocative, lively, and informative for anyone interested in Parisian culture and the music of 'les six,' of which Poulenc was an important member. Tellingly, the book prompted this reviewer to dust off his Poulenc CD collection to hear again some delightful music ... the content is delightful ... Highly recommended. All readers.' Choice 'This volume ... benefits from a translation favouring sense above stylistic posing ... Sometimes catty but constantly captivating, Poulenc's prose is definitely worth reading'. International Piano Magazine '... a welcome addition to English-language literature on Francis Poulenc.' H-France '... nothing quite matches information 'from the horse's mouth' to be found in this charming new book, compiled almost entirely from Poulenc's own words. The warmth of Poulenc's conversational style is effortlessly conveyed in Roger Nichols' translation'. BBC Music Magazine ***** 'You will spend a couple delightful evenings with this sophisticated raconteur.' American Record Guide ' ... this invaluable new translation ... the evident warmth of his personality emerges from Roger Nichols's skilful translations, as does the fierce independence of his musical judgements'. Times Literary Supplement 'Nichols's translation is an important addition to the English literature on Poulenc. It contains key texts in which Poulenc describes the circumstances that led him to compose some of his most well-known works, discusses his favorite composers and performers (both of his own works and others), and shares many fascinating anecdotes about the leading composers of his generation.' Notes '... Southon's splendid collection deserves a place in every academic music library and on the shelves of scholars, performers, and devotees of the composer.' Fontes Artis Musicae
